Chris Jorden: Reflection on Impact

OPENING ON: February 1st FRIDAY, 7:00 - 11:00PM. ON VIEW THRU February 27th, 2013.

Chris Jordan: Reflection on Impact
OPENING ON: February 1st FRIDAY, 7:00 - 11:00PM.
ON VIEW THRU February 27th, 2013.

This mixed-media installation uses reflection and project to create a meditative environment for viewers to consider the impact of individual will on a system. Visitors are encouraged to toss a penny into a pond. The disruption of the coin toss on the water juxtaposes individual action against a neutral system at equilibrium. The playful nature of the installation, tossing a penny to make a wish, places individual desire in the context of both time and impact - ultimately the pool will return to the calm state in which it began absorbing desire with ambivalence. The video projection on to the pool of the viewer’s environment, NYC, toys with the double nature of the experience of life in the city. By positioning individual desire in the context of the vastness of the urban experiences, Jordan simplifies the conversation to its fundamental elements: water, light, time and money. Materials: projector, reflecting pond (wood, plastic, water), computer, bucket, pennies, 3d camera

Chris Jordan explores the medium of light, movement, and time through the use of technology. His installations have appeared at the Moma, The New Museum, The Whitney, The Museum of Natural History, The Chelsea Museum, Times Square, numerous galleries and clubs; and the incidental spaces in between. The common elements that define Chris’ work include explorations into memory, photography, film, interactivity, and projections. By examining the political and social implications technology has on us through a diversity of media, his work challenges the viewer to redefine perceptions of audience and performer, community and spectacle.

 Note: There are no images for this show. It must be seen live. 

David Linton

David Linton: Cortical Degausser 
OPENING ON: FRIDAY, January 11TH 7:00 - 11:00PM. 
ON VIEW THRU January 27TH, 2013.

First installed at the conclusion of a 2011 Residency at the Clocktower Gallery, Cortical Degausser is a site-specific Intermedia installation in which visitors experience pulsating harmonic bands of colored light “Flicker” and synchronous sound “Drone” ( both generated from a fundamental frequency range of 10-15 Hz ) delivered via video signal that is in turn mediated by parabolic diffusion screens. The immersive relational environment thus established stimulates neurological mechanisms within each viewer’s own visual cortex triggering the spontaneous display of self animating geometric patterns which appear to hover in space in front of the subject’s field of vision with eyes either open or closed.

David Linton (born Newburgh NY 1956) is a Time based multiple media artist traveling the vectors of sound, subculture, and signal flow. He has been active in the downtown NYC experimental arts community for 30 years. Originally a percussionist, David has created sound, music, and something in between, for many collaborative dance, theater, & performance settings since his arrival in NY at the end of 1970's. By the later 80's - after a good deal of percussion work along side other musicians: Lee Ranaldo, Rhys Chatham, Glenn Branca, Elliott Sharp among others - he was equally known for his live wired solo electro-acoustic drumkit performances as well as his soundscore productions. His 1986 solo Lp "Orchesography" was an unlikely collusion of street beats, early sampling tek, and theatrical post modernism. By the early 90's he had retired from performing in the live electro-acoustic vein to concentrate on the vocabulary of entirely electronic music and the resultant paradigm shift in performance priorities that this new 'compressed' format suggested. Throughout the 90's Linton became a dedicated advocate for the expansion and appreciation of realtime performance in electronic media through the design and/or production of event/environments such as 'SoundLab' (1996) and eventually 'UnityGain' (1997-present). From 2001 Linton's fascination with instantaneous collaborative audio visual communication among select units of electronic sound and visual artists assumed the form of a live experimental television Manhattan cable/webcast project - UGTV - Unitygain Television (2001-2004) - for which he was producer/director - and occasional performer. In 2004 David embarked upon his present course with the launch of his solo audio-visual project: the Bicameral Research Sound & Projection System. With his "Bicameral Research Sound & Projection System" (2004) Linton aims to make vibrational wave induced perceptual energy states manifest by deploying interconnected measures of electric sound & pulsing light in live action with hand manipulated objects in physical (live camera) space. He employs an integrated recursive audio & video feedback system of his own perversely simple design modulated by freehand intervention to deliver vigorous eye, ear, and - sometimes - body shaking realtime audio visual performances from which a kind of retro-tech animist ritual "medicine show" emerges where subject and object blur. Thematically David likes to consider that within the 20th Century 60 Hz alternating electrical current gradually came to function as a primary subliminal Prana in the mass bio-energetic body/culture of human life in North America...